808 State: The seminal electronic act reveals a political side to rave culture Posted on April 30, 2013 by dangrunebaum “Guitar bands were out. Using the new technology was a stance for change, being armed with a sampler was very much about starting a new page. We had more in common with Detroit than London. Joining an internationalism of the dance floor was a rejection of colloquialism that had chained us.” – Graham Massey Metropolis, Apr 12, 2013 AdvertisementShare this:TwitterFacebookLike this:Like Loading... Related
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