Somehow, the image of three Chicano brothers singing rootsy rock songs steeped in Christian ideas of family and faith, didn’t seem quite the natural fit for Club Quattro in trendy, materialistic Shibuya.
Yet there Henry, JoJo and Ringo Garza were, searing themselves into the audience’s consciousness in their first visit to Japan in 2012. “We always want to make sure our music is about being in the light,” JoJo says from the Los Lonely Boys’ San Angelo, Texas hometown, “by which I mean god being the ultimate source. It doesn’t mean if you don’t believe we don’t care for you; all it means is that’s how we live our lives.”
Not so long after a follow-up Fuji Rock appearance, their faith was severely tested. Singer and guitarist Henry broke his back at the beginning of 2013, falling off the stage during a concert in Los Angeles.
“It was a horrible, horrific accident, not only to the business, but most importantly to the family,” JoJo says. “It put our lives back in perspective. We got together as a family and are a lot closer again. It’s sad that it takes something catastrophic but sometimes that’s what it takes.”
Henry’s recovery has been two steps forward and one step back, but the band was able to complete their brand-new album, Revelation. “When the accident happened we were already working on the record, and I can remember Ringo and I were going into the studio without Henry trying to work through the parts we could, but it just didn’t feel right,” JoJo says. “We even played a gig without Henry, but decided that wasn’t going to happen again. It’s been one of the tougher years in our lives and I’m thankful we’ve had the opportunity to learn, because it could have been swept out completely from under our feet.”
Revelation sparkles with Los Lonely Boys’ “Texican rock ‘n’ roll,” their sublime blend of Latin rock, blues and Americana. It’s a style the brothers have been honing for a decade since they emerged out of Nashville, where they’d moved to break into music.
Willie Nelson, virtual personification of Americana, helped propel the brothers along by guiding their debut album, which saw the track “Heaven” go to number one. “Willie gave us a big push in the early stages of our career, and he’s treated us as his own family, and loved and respected us,” JoJo says. “He was also one of our dad’s biggest inspirations, as well as Waylon Jennings and Johnny Cash.”
Los Lonely Boys’ new single, “Blame It On Love,” encapsulates the band’s musical trajectory. Launching with simple acoustic guitar and mariachi accordions, the track segues into a rollicking country rock jaunt, climaxing with a sizzling Fender guitar solo, all topped off with the brothers’ crystalline harmonies.
“Dad taught us about Mexican-American cats that weren’t doing the traditional music, people like Santana, and earlier cats,” recalls JoJo. “He and his brothers were actually playing traditional music, but they would also step away from that to do country or rock. It’s something we’re really proud of, to know our own traditional music, but also be able to branch out into Americana.”
Music is the family business and the Garza brothers are handing it down to their own kids. “You can’t help what gets played on the radio and TV, and when the kids are out with the other youngsters, they want to blend in,” JoJo grants. “So my kids are aware of computer-based music and the computer controlling everyone’s voices, and that’s cool in its own right. But our music comes from raw wood with a few strings attached, and we feel it’s something that has to be passed on, and not only to our children, but to everyone’s kids.”
The Japan-edition of Revelation, as is customary, features a few bonus tracks in the form of a cover of Santana’s legendary “Oye Como Va” and a live recording of “Heaven” from that night at Club Quattro.
“I don’t know why they expect more tracks—it’s kind of weird to me—but ‘Oye Como Va’ we recorded a while back and they liked it and we were like, ‘Yeah, if you want to use it go ahead,’” JoJo explains. “Because at that time it was impossible for us to get back in the studio. But then when they used ‘Heaven,’ which was recorded in Shibuya, we were super happy about that.”
“We love Japan and we can’t wait to get over there again,” JoJo finishes. “I didn’t want to come back to America. The humbleness of the people, the courtesy… I just felt like that was where I belonged.”