Peverelist: Forget Skrillex—this dubstep pioneer delivers the original Bristol sound Posted on May 27, 2012 by dangrunebaum Long before Skrillex brought dubstep to the McDonald’s-quaffing American masses, the genre was born out of the underground melding of UK drum ‘n’ bass, garage and dub sound systems. Bristol record shop and label owner, producer and DJ Peverelist (Tom Ford) was part of it and returns to Tokyo next week to show punters how it’s really done. Metropolis, May 18, 2012
Eli Walks: Deep, dark beats from a young Japanese-American Posted on May 3, 2012 by dangrunebaum “I want to play a ton of shows, but a lot of people don’t have money,” Walks laments. “A lot of my friends are broke. They want to go to the shows but they can’t afford it. I’ve been to shows recently where I thought there would be more fans. The economy is pinching people.” Metropolis, Apr 28, 2012
The Charlatans: UK indie-rockers join the traveling Haçienda circus Posted on April 26, 2012 by dangrunebaum Founding member Martin Blunt ponders the meaning of Madchester for a new generation ahead of the group’s visit for Peter Hook’s Haçienda Oiso Festival. Metropolis, Apr 13, 2012
Richard Pinhas and Merzbow: “Rhizome” Posted on April 18, 2012 by dangrunebaum The French avant-garde guitarist and Japanese experimental musician’s new CD shows noise doesn’t have to be noisy. Metropolis, Apr 17, 2012
Ryoichi Kurokawa: SonarSound’s most intriguing act isn’t strictly musical Posted on April 15, 2012 by dangrunebaum “Since European countries share boundaries over land with other countries, they share their arts scenes more naturally,” Kurokawa answers when asked about his decision to leave Japan. “The European scene is much bigger than Japan’s, and this means new art scenes are easily born and young artists can be more widely active here.” Metropolis, Apr 14, 2012
Orbital: The Hartnoll bros’ second coming Posted on March 20, 2012 by dangrunebaum “These days everyone’s spoiled. We’ve got too much technology.” – Paul Hartnoll Metropolis, Mar 19, 2012
Gabez: Silent comedy gets the Tokyo treatment Posted on March 16, 2012 by dangrunebaum “We Japanese respond to comedy because we’re so serious in daily life,” Hiroshi says, pointing to forms from 600-year-old kyogen to contemporary owarai. “But Gabez jokes around all the time.” Metropolis, Mar 14, 2012 Photo by Dan Grunebaum.
Shuichi Hidano: The taiko virtuoso is banging the drums of change Posted on March 7, 2012 by dangrunebaum ““My elders were really angry at my cross-genre experiments,” Hidano recalls. “They said, ‘That’s not taiko.’” Metropolis, Mar 6, 2012 Photo by Cedric Leherle.
Ken Ishii: Out of the dark and into the daylight for Japan’s biggest techno DJ Posted on March 4, 2012 by dangrunebaum The electronic music innovator says he almost lost the will to create after 3.11, while working on his new album Music for Daydreams. Metropolis, Mar 1, 2012
My Morning Jacket: They may be from Kentucky, but don’t call ‘em Southern rock Posted on February 22, 2012 by dangrunebaum “I feel like the internet should be a free and open place. We can see how the music industry has been impacted by people stealing music on the internet, but there’s a larger issue about the fact that a lot of my friends can’t afford health care. Until we get that figured out, if my friends can’t afford healthcare I welcome them stealing music on the internet all day long.” – Jim James, My Morning Jacket Metropolis, Feb 22, 2012