Yuki Futami: Jazz piano phenom heads to New York

With technical mastery and a taste for vintage modern jazz, 25-year-old Yuki Futami is Japan’s belated answer to the late, great pianist Oscar Peterson. Before he heads off to New York’s Julliard, Metropolis got some insight on what a millennial Japanese sees in jazz, and the Yuki Futami Trio’s debut album, Banzai Oscar.

Metropolis, May 1, 2013

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808 State: The seminal electronic act reveals a political side to rave culture

“Guitar bands were out. Using the new technology was a stance for change, being armed with a sampler was very much about starting a new page. We had more in common with Detroit than London. Joining an internationalism of the dance floor was a rejection of colloquialism that had chained us.” – Graham Massey

Metropolis, Apr 12, 2013

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Karl Hyde: Fresh off the Olympics, Underworld’s frontman stabs out solo

If nothing else, their iconic soundtrack for Trainspotting—and in Japan their sets at Fuji Rock and Rainbow 2000—assure Underworld a spot in music history. But from their design collective Tomato to their music for the London Olympics, the British duo of singer Karl Hyde and musician Rick Smith are feverish in their exploration of new opportunities. I spoke with Hyde about his solo debut Edgeland ahead of next month’s SonarSound Tokyo.

Metropolis, Mar 12, 2013

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Alabama Shakes: Brittany Howard’s post-racial rock

Brittany Howard’s vocals are imbued with strains of strong soul divas from the black Marva Whitney to the white Janis Joplin. The singer—herself a blend of black and white—takes a post-racial view of music. “It could be black music or white music. Anything with a soul we’re interested in,” she affirms. “Elvis sang and played black music—that’s where rock came from. But I don’t know if our sound is a black-music thing, I think it’s just a music thing.”

Metropolis, Jan 17, 2013

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