Squarepusher: It’s back to the future for the English techno wunderkind

“There’s a longstanding prejudice among people who follow more cult forms of music,” Jenkinson continues, “that popularity is inherently bad. It happened in the ’90s when drum and bass entered popular music, and stopped being underground. But I don’t involve myself. I’d quite happily sell millions of records.”

Metropolis, Jun 28, 2012

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Hot Chip: So, who’s the hottest chip?

“There’s something about the beginnings of making synths talk to each other in a certain way that gives those records a certain kind of appeal,” Joe Goddard continues, citing artists like Human League and Giorgio Morodor. “People talk about the fact that it was difficult to make sequenced records in those days—the struggle made them better. You had to really think about what you were doing.”

Metropolis, Jun 8, 2012

Peverelist: Forget Skrillex—this dubstep pioneer delivers the original Bristol sound

Long before Skrillex brought dubstep to the McDonald’s-quaffing American masses, the genre was born out of the underground melding of UK drum ‘n’ bass, garage and dub sound systems. Bristol record shop and label owner, producer and DJ Peverelist (Tom Ford) was part of it and returns to Tokyo next week to show punters how it’s really done.

Metropolis, May 18, 2012

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